TUNING REFERENCE

Standard (6-String Bass) tuning

B · E · A · D · G · C

Standard (6-String Bass) is a 6-string bass tuning with open strings B–E–A–D–G–C.

Instrument
6-String Bass
Strings
6
Open notes
B E A D G C
With octaves
B0 E1 A1 D2 G2 C3

FREE FRETBOARD REFERENCE

B Minor on the fretboard

Find each scale tone in a catalog tuning. Filled notes marked R are roots; outlined notes are other tones. Open strings are fret 0.

Choose a scale to see it in Standard (6-String Bass). A scale does not need to contain every open-string note to be played in this tuning.

6-String Bass · Standard (6-String Bass) · Frets 0–12 · All scale tones

B Minor in Standard (6-String Bass) on 6-String BassPhysical string order is preserved, with the first catalog string at the bottom. Read exact frets and pitches in the table below. Roots carry an R marker.0123456789101112B0E1A1D2G2C3String 1, fret 0: B0, rootBRString 1, fret 2: C#1C#String 1, fret 3: D1DString 1, fret 5: E1EString 1, fret 7: F#1F#String 1, fret 8: G1GString 1, fret 10: A1AString 1, fret 12: B1, rootBRString 2, fret 0: E1EString 2, fret 2: F#1F#String 2, fret 3: G1GString 2, fret 5: A1AString 2, fret 7: B1, rootBRString 2, fret 9: C#2C#String 2, fret 10: D2DString 2, fret 12: E2EString 3, fret 0: A1AString 3, fret 2: B1, rootBRString 3, fret 4: C#2C#String 3, fret 5: D2DString 3, fret 7: E2EString 3, fret 9: F#2F#String 3, fret 10: G2GString 3, fret 12: A2AString 4, fret 0: D2DString 4, fret 2: E2EString 4, fret 4: F#2F#String 4, fret 5: G2GString 4, fret 7: A2AString 4, fret 9: B2, rootBRString 4, fret 11: C#3C#String 4, fret 12: D3DString 5, fret 0: G2GString 5, fret 2: A2AString 5, fret 4: B2, rootBRString 5, fret 6: C#3C#String 5, fret 7: D3DString 5, fret 9: E3EString 5, fret 11: F#3F#String 5, fret 12: G3GString 6, fret 1: C#3C#String 6, fret 2: D3DString 6, fret 4: E3EString 6, fret 6: F#3F#String 6, fret 7: G3GString 6, fret 9: A3AString 6, fret 11: B3, rootBR

Notes-per-string views select the first matching scale tones on each string at or above the starting fret, within a 12-fret window. These are position studies: crossing strings can repeat or skip pitches. They are not guaranteed continuous ascending runs or finger assignments. Four-note layouts can require stretches or position shifts.

Fret positions and pitches · first catalog string to last
Open stringFretsNotes with octaves
1 · B00 · 2 · 3 · 5 · 7 · 8 · 10 · 12B0 · C#1 · D1 · E1 · F#1 · G1 · A1 · B1
2 · E10 · 2 · 3 · 5 · 7 · 9 · 10 · 12E1 · F#1 · G1 · A1 · B1 · C#2 · D2 · E2
3 · A10 · 2 · 4 · 5 · 7 · 9 · 10 · 12A1 · B1 · C#2 · D2 · E2 · F#2 · G2 · A2
4 · D20 · 2 · 4 · 5 · 7 · 9 · 11 · 12D2 · E2 · F#2 · G2 · A2 · B2 · C#3 · D3
5 · G20 · 2 · 4 · 6 · 7 · 9 · 11 · 12G2 · A2 · B2 · C#3 · D3 · E3 · F#3 · G3
6 · C31 · 2 · 4 · 6 · 7 · 9 · 11C#3 · D3 · E3 · F#3 · G3 · A3 · B3

Intervals from the first string

Each interval is measured by pitch class from the first physical open string. String order is preserved for re-entrant and doubled-course tunings.

StringNoteSemitonesInterval
1B00Root
2E15Perfect 4th
3A110Minor 7th
4D23Minor 3rd
5G28Minor 6th
6C31Minor 2nd

Compare with Standard (6-String Bass)

Pitch changes in semitones for each physical string, compared with Standard (6-String Bass). Negative values lower the pitch; positive values raise it. Check your instrument and string gauges before changing register.

StringDefault pitchThis tuningChange
1B0B00 semitones
2E1E10 semitones
3A1A10 semitones
4D2D20 semitones
5G2G20 semitones
6C3C30 semitones

Explore this string layout

Browse 6-string bass tunings. Related tunings below prioritize the default tuning, matching interval structures, and nearby open-string pitches.

Chords available in the open strings

Scales containing every open-string pitch class

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