INDIAN RAGAS · SCALE REFERENCE

Todi scale

Todi has 7 pitch classes. Its semitone formula from the root is 0 · 1 · 3 · 6 · 7 · 8 · 11. The example below starts on C; choose another root or tuning in the fretboard explorer.

Formula and notes in C

Morning raga - very flat. Each step is the semitone distance to the next tone, with the last step returning to the root an octave higher.

Note in CIntervalSemitones from rootStep to next tone
CRoot01
C#Minor 2nd12
D#Minor 3rd33
F#Tritone61
GPerfect 5th71
G#Minor 6th83
BMajor 7th111

FREE FRETBOARD REFERENCE

C Todi on the fretboard

Find each scale tone in a catalog tuning. Filled notes marked R are roots; outlined notes are other tones. Open strings are fret 0.

6-String Guitar · Standard · Frets 0–12 · All scale tones

C Todi in Standard on 6-String GuitarPhysical string order is preserved, with the first catalog string at the bottom. Read exact frets and pitches in the table below. Roots carry an R marker.0123456789101112E2A2D3G3B3E4String 1, fret 2: F#2F#String 1, fret 3: G2GString 1, fret 4: G#2G#String 1, fret 7: B2BString 1, fret 8: C3, rootCRString 1, fret 9: C#3C#String 1, fret 11: D#3D#String 2, fret 2: B2BString 2, fret 3: C3, rootCRString 2, fret 4: C#3C#String 2, fret 6: D#3D#String 2, fret 9: F#3F#String 2, fret 10: G3GString 2, fret 11: G#3G#String 3, fret 1: D#3D#String 3, fret 4: F#3F#String 3, fret 5: G3GString 3, fret 6: G#3G#String 3, fret 9: B3BString 3, fret 10: C4, rootCRString 3, fret 11: C#4C#String 4, fret 0: G3GString 4, fret 1: G#3G#String 4, fret 4: B3BString 4, fret 5: C4, rootCRString 4, fret 6: C#4C#String 4, fret 8: D#4D#String 4, fret 11: F#4F#String 4, fret 12: G4GString 5, fret 0: B3BString 5, fret 1: C4, rootCRString 5, fret 2: C#4C#String 5, fret 4: D#4D#String 5, fret 7: F#4F#String 5, fret 8: G4GString 5, fret 9: G#4G#String 5, fret 12: B4BString 6, fret 2: F#4F#String 6, fret 3: G4GString 6, fret 4: G#4G#String 6, fret 7: B4BString 6, fret 8: C5, rootCRString 6, fret 9: C#5C#String 6, fret 11: D#5D#

Notes-per-string views select the first matching scale tones on each string at or above the starting fret, within a 12-fret window. These are position studies: crossing strings can repeat or skip pitches. They are not guaranteed continuous ascending runs or finger assignments. Four-note layouts can require stretches or position shifts.

Fret positions and pitches · first catalog string to last
Open stringFretsNotes with octaves
1 · E22 · 3 · 4 · 7 · 8 · 9 · 11F#2 · G2 · G#2 · B2 · C3 · C#3 · D#3
2 · A22 · 3 · 4 · 6 · 9 · 10 · 11B2 · C3 · C#3 · D#3 · F#3 · G3 · G#3
3 · D31 · 4 · 5 · 6 · 9 · 10 · 11D#3 · F#3 · G3 · G#3 · B3 · C4 · C#4
4 · G30 · 1 · 4 · 5 · 6 · 8 · 11 · 12G3 · G#3 · B3 · C4 · C#4 · D#4 · F#4 · G4
5 · B30 · 1 · 2 · 4 · 7 · 8 · 9 · 12B3 · C4 · C#4 · D#4 · F#4 · G4 · G#4 · B4
6 · E42 · 3 · 4 · 7 · 8 · 9 · 11F#4 · G4 · G#4 · B4 · C5 · C#5 · D#5

Major and minor chords contained in the C example

Scales with nearby interval patterns

Compare these formulas at the same root to see which tones change.

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